"But on the black background some might see it as white." He even speculated, perhaps jokingly, that the white-gold prejudice favors the idea of seeing the dress under strong daylight. "Most people will see the blue on the white background as blue," Conway says. So when context varies, so will people's visual perception. "It became clear that the appropriate point in the image to balance from is the black point," Harris says. And when Harris reversed the process, balancing to the darkest pixel in the image, the dress popped blue and black. "When I attempted to white-balance the image based on that idea, though, it didn't make any sense." He saw blue in the highlights, telling him that the white he was seeing was blue, and the gold was black. "I initially thought it was white and gold," says Neil Harris, our senior photo editor. Other people attribute it to the dress."Įven WIRED's own photo team-driven briefly into existential spasms of despair by how many of them saw a white-and-gold dress-eventually came around to the contextual, color-constancy explanation. My brain attributes the blue to the illuminant. "Then I cut a little piece out and looked at it, and completely out of context it's about halfway in between, not this dark blue color. "I actually printed the picture out," he says. Even Neitz, with his weird white-and-gold thing, admits that the dress is probably blue.
Explain jeruzalem movie 2015 full#
The film shows the full arc of Naharin’s life until the present, offering a detailed, satisfying look of what pushed this local Baryshnikov into dance, and what keeps him there, at the center of Israel’s evolving place in the modern dance world.The point is, your brain tries to interpolate a kind of color context for the image, and then spits out an answer for the color of the dress. Heymann spent eight years filming and gathering archival clips about the life of Naharin, considered one of Israel’s premier dancers. Gaga, about Ohad Naharin, the longtime artistic director of the Batsheva Dance Company.
Jessica SteinbergĪnother work of patience and perseverance is Tomer Heymann’s Mr. The film doesn’t discuss politics, explained Badran, but the abiding issue for the family is the security fence that doesn’t allow the family’s father to work in Israel, and which has forced them into poverty. When I start to explain who my parents are to Israelis of my generation and. “Their world was a theater of the absurd.” We officially changed the films title from Next Year In Jerusalem to. “I would hear that ‘knock, knock, knock’ on my car window every morning,” said Badran, in a brief interview following the film’s premiere at the Jerusalem Cinematheque.
Badran noticed the boys each day as he drove to work, figuring out their work system and eventually meeting the poverty-stricken family in their hometown of Tulkarem. This difficult documentary about two Palestinian boys forced by their father to beg for money at a busy traffic intersection is also a tale of perseverance, as director Badran Badran spent eight years following the family’s story. The bulk of the film is occupied with what happens to Nadia after she returns to Israel, creating a surprising and memorable metaphor for the alternative worlds and identities that coexist in Israel, and the emotional complexities in human nature. After marrying and moving to London to be with him, her life is shattered when he disappears and she is forced to find her way back to Israel under a false identity as a Jewish woman.
Tova Ascher, a longtime film editor, created her first feature film around an intriguing storyline, taking the audience from 1987 into the present with a young Arab woman, Nadia, who falls in love with a young PLO militant in their Jerusalem hometown. Along the way, the young women befriend a Christian anthropologist, the Arab owners of a Muslim Quarter hostel, Israeli soldiers, and a man who wanders the Old City calling himself King David - each of whom has his own complicated connection with religion, death, and the afterlife. Written and directed by brothers Yoav and Doron Paz, the fast-paced film invites its audience to join best friends Sarah and Rachel on a haunting journey around and beneath the diverse quarters of the Old City. The ancient city and its biblical apocalypse are shown entirely from the perspective of Sarah’s new, high-tech Google Glass “smart glasses,” giving the film a disorienting, real-life quality. A modern horror movie set in the Old City of Jerusalem, JeruZalem follows young American tourists, Sarah and Rachel, as they encounter, on the eve of Yom Kippur, a zombie apocalypse in the gated city.
0 kommentar(er)
